Fleshly TabernaclesIn Fleshly Tabernacles, Bryan Hampton examines John Miltons imaginative engagement with, and theological passion for, the Incarnation. As aesthetic symbol, theological event, and narrative picture of humanitys potential, the Incarnation profoundly governs the way Milton structures his 1645 Poems, ponders the holy office of the pulpit, reflects on the ends of speech and language, interprets sacred scripture or secular texts, and engages in the radical
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